Owl as the Vehicle of Goddess Lakshmi
According to mythology, Hindu gods and goddesses have a particular animal or bird they travel with. These travel vehicles are called Vahanas or Vehicles. They have the same purpose as today’s modern world vehicles suitable for traveling by air, land, or water. These vehicles of God, either animals or birds, represent the several spiritual and psychological forces that carry each deity, The Gods use Vahanas for both warfare and travel.
Thus we have for Brahma ( Swan), Vishnu ( Garuda ), Shiva (Nandi), Ganesha ( Mouse ), Durga ( Tiger ), Surya ( Horses), Karthikeya ( Peacock) etc, etc., as vehicles.
The owl is depicted as the vahana (vehicle) of Lakshmi. There are two reasons why an Owl (Uluka) is the Vahana of Goddess Lakshmi.
It was told as a reason to teach a life lesson. Just as success is always followed by failure, failure is always followed by success. Success is represented by Lakshmi, while failure is represented by the owl (Alakshmi). They always coexist.
2. Another story is a Bengali Folktale. Once, Goddess Lakshmi decided to have a Vahana and went to search for one. She decided to make the first one she saw her Vahana. Indra saw her and decided to make her a prisoner to make his kingdom wealthy. When he came nearer, she transformed herself into a thousand-petal lotus and shone like thousands of blazing suns. Indra got blind and asked for forgiveness. Then Lakshmi turned him into her Vahana, the owl.
The story of how an owl became the vehicle of Lakshmi and how Lakshmi treats the owl.
The goddess Lakshmi emerged during the Samudra Manthan and was so beautiful that Lord Vishnu made her his wife. Initially, Lakshmi and Vishnu used to fly on Garuda, and when Lakshmi had some work, she used to fly on Garuda alone. This is why Garuda is so rich.
One day Lakshmi was going through a forest, and she saw a mighty owl crying in pain. He was injured. He told Lakshmi that if she cured him, he would always help her. Lakshmi took the injured Owl to heaven, and Dhanvantri cured him. In due course, Lakshmi started loving the owl and made him her vehicle.
Owl though moves very slowly, always reaches in time at any place where Lakshmi has to give money.
Lakshmi’s Owl
In Orissa and Bengal, Lakshmi images include a white owl. In local belief, white owls have come to be associated with auspiciousness and good luck because of their association with the Goddess. Who is this owl? Scriptures do not clarify.
Some say Lakshmi rides the owl; others believe the owl accompanies her, while she rides on an elephant, the latter being a more appropriate vehicle for the Goddess, associated with wealth, power, and royal splendor.
Owls are solitary creatures, who sleep all day and prowl at night. Because of their nocturnal activity and screeching call, they have been associated with bad luck and death, leading to the conclusion that the Owl is Alakshmi, Lakshmi’s elder twin, the Goddess of strife and misfortune. But because of its round eyes that never move and stare straight ahead, the owl has been associated with wisdom in many parts of the world, especially in ancient Greece, where it was closely associated with Athena, the Goddess of wisdom. The term “Lord with circular eyes” (Choka-dola) is used in the East to refer to Shree Jagannath, the form of Krishna-Vishnu worshipped in Puri, Orissa, leading to speculation that the owl actually represents Lakshmi’s consort, Vishnu. Favoring this line of thought is the fact that in Hindu mythology, the Vahana or vehicle of a deity is always male, not female. But the idea that Lakshmi would ride her own husband, which was thought acceptable to feminists, is abhorrent to traditionalists. They insist that the owl accompanies the Goddess; she does not ride it. If she does not ride the owl, then it could be either Vishnu or Alakshmi.
But Vishnu never follows Lakshmi; she follows him, drawn by his ability to uphold order or dharma wherever He goes. And Alakshmi, always accompanies, Lakshmi, for she is the elder sister. In images, Lakshmi is associated with both Vishnu and the owl. Art historians believe that since it is inauspicious to portray Alakshmi, artists have chosen to represent her as an owl. But why represent her at all?
The idea of Lakshmi having a twin sister is an ancient one. Some say while Lakshmi was born from Brahma’s face, Alakshmi was born from his back. Some say Lakshmi emerged along with Amrita, the nectar of immortality when the Gods were churning the ocean of milk; Alakshmi emerged with Halahal, the dreaded poison with the power to destroy the world. Alakshmi is called many things including Daridra, poverty personified; Kalaha, strife personified; Kalikanni, quarrel personified; Nritti, Goddess of decay. In the mythology of Shiva, Alakshmi is Kali, the fearsome aspect of Shakti, while Lakshmi is Gauri, the lovable aspect of Shakti. In Vishnu mythology, Lakshmi adores dharma (acts born of empathy) while Alakshmi adores adharma (acts born of exploitation). Thus Lakshmi and Alakshmi are two halves of a complete whole; Lakshmi is the fruit that is savored while Alakshmi is the waste that is discarded. The two exist as a whole; without either, there is neither.
In Mythology, Lakshmi does not make any value judgment. A bowl of rice feeds a saint and a sinner; a rupee coin has the same value in the hands of a judge and the same value in the hands of a murderer. But Lakshmi always comes with her sister in tow. Failure to acknowledge Alakshmi is dangerous, for she represents all the negative energies that accompany any wealth. Everyone knows that money breeds strife and jealousy. Alakshmi embodies that dark aspect of wealth. She is the one who makes rich brothers quarrel. She is the one who divides the household. She is the one who does not allow peace to enter the house of gold.
The only way to make Alakshmi weak is to constantly be aware of her; and acknowledge her as much as her sister. Typically in rituals, sweets, kept inside the house, are offered to Lakshmi while lemons and chilies, kept outside the house, are meant for Alakshmi. Lakshmi, say the scriptures, goes nowhere without her sister. In other words, wealth never goes anywhere without the seed of strife.
The story goes that Lakshmi and Alakshmi once paid a visit to a trader and asked her who of the two was more beautiful. The trader was frightened of making either one unhappy so he came up with a clever answer that would please both. “Lakshmi is beautiful when she walks towards me. Alakshmi is beautiful when she walks away from me.” Pleased with this response, fortune moved towards the trader while strife moved away.
Today, we seem to be inviting strife into our house. News reports celebrate strife. Television shows are based on strife. Everyone is fighting. Young people are fighting on reality shows and the audience loves it. Judges are fighting, singers are fighting and we are beaming these thoughts into our living rooms during family time while eating dinner. War is presented as entertainment. Stories of rape and abuse and murder are the order of the day and generate vicarious thrills. And all this is happening at a time when India is progressing with the benefits of liberalization. Guess, in our pursuit of Lakshmi, we have forgotten to tell Alakshmi, with utmost love and respect, “Stay out!”
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source: Wisdom library.org: Whatsapp group
