Kubera, the God of Wealth

Kubera, the Hindu god of wealth, is revered for his association with prosperity and abundance. With origins in Hindu mythology, Kubera’s role as the guardian of treasures and riches has made him a significant deity in Hindu culture.

Kubera, the revered Hindu god of wealth, holds a rich history and fascinating legends that surround his origins. According to Hindu mythology, Kubera was born as the son of Visravas, the sage and son of the demon Pulastya, and his wife Ilavida.

This lineage connected Kubera closely with the demons and gave him great influence over the material realm.

One of the most prominent legends associated with Kubera is his acquisition of wealth and his rise to power.

As the story goes, Kubera performed intense penance and received a boon from Lord Shiva, which granted him the position of the lord of wealth and the riches of the world.

This divine blessing bestowed upon Kubera the responsibility of managing and distributing fortune and prosperity among beings.

Another compelling tale in the lore of Kubera is his encounter with the demon king Ravana. Ravana, known for his insatiable greed, sought to obtain limitless power and wealth.

In his pursuit, he performed intense penance to please Lord Shiva, pleased with his devotion, Lord Shiva granted Ravana a sacred lingam, the symbol of divine power. However, an arrogant Ravana disrespected the lingam, which enraged Lord Shiva. To punish him, Lord Shiva transferred the powers of the lingam to his brother, Kubera.

This event further solidified Kubera’s supremacy as the god of wealth and prosperity, while Ravana's downfall was attributed to his excessive desire.

These legends and myths not only illustrate the origins of Kubera but also highlight the significance of wealth, karma, and moderation in Hindu culture.

Kubera’s journey from penance to power serves as a guiding principle for individuals seeking prosperity while reminding us of the consequences of unchecked greed and arrogance.

He is believed to govern the flow of money and trade and is invoked by merchants and traders seeking success in their ventures. Kubera is also considered the protector of hidden treasures and is sometimes depicted as the guardian of the eight directions.

Kubera's myth is intertwined with that of other Hindu deities.

Kubera's celestial abode is Alaka, a magnificent city atop Mount Kailas. He is closely associated with Vishnu, the preserver god, and Lakshmi, the goddess of wealth. Kubera is believed to be the half-brother of Vishnu's avatar, Rama. However, Kubera's mythology also depicts a conflict with Ravana, the demon king of Lanka. Ravana, seeking to acquire Kubera's wealth, invaded Alaka and stole the celestial chariot, Pushpaka Vimana.

Kubera is depicted as a portly figure with a fair complexion, adorned with symbols of wealth such as a money bag, club, and conch shell.

Nine Forms of Kubera:

The procedures related to the worship of Vaishravana Kubera, including mantras, yantras, dhyana, and worship, etc. are specified in the Puranas. Different meditations of mantras are specified for different aims.

There are nine forms of Lord Kubera described in various texts.

1 - Ugra Kubera – This form of Kubera not only gives wealth but also destroys one's enemies.

2 - Pushpa Kubera - His upasana is done for love marriage, success in love, attainment of fame and respect, attainment of windfall profits, and retirement from all kinds of sufferings.

3 - Chandra Kubera - He is worshipped for getting money and sons. Chandra Kubera's meditation should be done to get a worthy child.

4 - Peet Kubera – Peeta or Yellow Kubera is worshiped for wealth and fame, financial success, getting huge vehicles, etc.

5 - Hamsa Kubera – Hamsa Kubera is worshipped for victory in unknown sorrows and other matters.

6 - Raga Kubera – Raga Kubera gives success in competitions and examinations, success in all the fine arts of dance, music, singing, painting, writing, etc

7 - Amrita Kubera – The sadhana of Amrita Kuber is divine and fruitful in life for all kinds of gains, freedom from disease, wealth, and deliverance from all kinds of illnesses and miseries.

8 - Prana Kubera - When you are unable to get rid of debt, Prana Kubera is worshipped to get rid of all kinds of debt.

9 - Dhana Kubera – As the name suggests, his Upasana is done for getting the best in life, for the fulfillment of all desires, and if luck is not supported, then Dhana Kubera is said to be the best of all.

Lord Kubera Temples:

Hindu devotees revere Kubera as the bestower of material prosperity. He is worshipped through prayers, offerings, and rituals. Temples dedicated to Kubera can be found throughout India, and his festival, Akshaya Tritiya, is celebrated with great fervor.

* Dhopeshwar Mahadev in Madhya Pradesh - This temple expresses the bonding between Lord Shiva and Lord Kubera. It has a unique idol of Shiva and Kubera in which both deities are shown together.

* Kubera Bhandari Temple in Gujarat - Situated on the banks of river Narmada this is the place where Lord Kubera performed his penance. It is believed that Lord Shiva built this temple around 2500 years ago. He also organized a Bhandara (free food donation) at this place.

Sambar Vs Rasam

Come September, we have a festival season. Festival of flowers, festival of lights, festival of colours. Festival is associated with Poojas at home and in temples. Of course, it is mostly followed by a feast and culinary excellence at a grand scale in every region.

When I happened to read and remembered my good friend Ganesan’s forward on the South recipe, I thought let me too add spice to your taste buds.

It’s about Sambar and Rasam.

Sambar and Rasam, like Vasisht and Vishwamithra, are Kulagurus of Tamil Brahminical lunches and dinners. Both have an army of admirers and at times one is substituted for the other. In marriage lunches, they go together and in our homes, for the day-to-day lunches and dinners, we either prepare sambar or rasam but less frequently both.

For Sambar in Palakkad, they use grounded and grated coconut, whereas in Tamil Nadu, sambar powder is preferred. The availability of coconuts and pulses determines this and one is not necessarily superior to the other. However, for marriage lunches, arachuvitta sambar (sambar in loose format with grated coconut) alone is preferred. Sambar using sambar powder is looked down upon as if it plays for the B team. Rasam does not entertain such distinction. Rasam powder is universally used. Sambar has to face stiff competition from Morkhuzhambu, Vettakhuzhambhu, ghothsu and pit law and it either over shadows or is overshadowed by them. Rasam fears no such alien threats save the competition from the Rasam species itself.

Kabbari Chaaru or Pappu Charu is the Telangana/ Andhra version of Sambar, whereas Karnataka style is Naggekai kharbyaali, / Obuttu Saaru. Pumpkin ( MnajalPoosinakkai) sambar is popular in Tamilnadu, while in Kerala Drumstick and Fenugreek greens ( Murungakkai and vendhaya keera) in Varutharacha Sambar is the delicious speciality.

Like Manchester United and Real Madrid Football Clubs followers, the Rasam protagonists are categorised into two fiercely competing groups - those who take their Rasam with the sediments ( kalakkivitta Rasam) and those who would prefer the sediments to remain in the container ( thelivu rasam). Orderliness demands that Thelivu Rasam group should have its serving first so that Kalakkivitta Rasam group can have the rest to its heart's content.

Lime Rasam dispenses with tamarind and is healthy. However, pepper Rasam, jeera Rasam and Kandanthippili Rasam have therapeutic value and hence are prepared as medicinal prescriptions. They are taken to come out of certain ailments. Pepper Rasam is prepared for those whose temperature level is above 100 degrees. Mysore Rasam has all the ingredients and it appeals to our palate. However, senior members of the family frown upon it, for fear that it might promote libido. If pure Rasam is like a Semmangudi Swaraprasthara subtlety, Mysore Rasam, like modern-day Dire Strait's "Sultans of Swing", stirs the youngsters' souls. For a few garlic Rasam is the greatest. However, it has equally powerful enemies, though garlic wins bidding approvals from doctors.

Sambar cannot end our meals. It is not a finisher like Dhoni. Invariably it has to be followed by Rasam or dahi bath. Rasam is independent and can stand apart, alone. When someone is not well, Rasam alone is prescribed, a privilege that Sambar looks at with envy.

Vadai soaked in sambar is known as vadai sambar, prominence being given to vadai. However, vadai soaked in Rasam is known as Rasa vadai, Rasam stealing the show. One can drink cupfuls of Rasam. If one tries to drink sambar in a cup, his sanity would be tested - another snub again to sambar.

As barbeque is connected with a grill and rotis and nans are linked to tandoors, sambar boiled in a Kalchatti assumes a significant flavour. Rasam boiled in Kumbhakonam made eeyachombu, lords over our lunches and dinners.

When we take rice, the quantity of Rasam dominates. In sambar rice, a high quantity of sambar is frowned upon.

In addition to its intrinsic merits, Rasam is also enjoyed for one more reason. In marriage lunches, Rasam is followed by payasam. If Rasam comes, can Payasam be far behind, a poet Shelley may have sung today.

Milagu Rasam ( Chilli Rasam) in Western garbs has become mulaguthanni soup in star hotels. In fact, Rasam is a precursor to many modern-day soups.

Software techies from South India would enjoy their cupfuls of chosen Rasam even while embarking upon their coding endeavours.

No wonder, one sighs, Rasam is resplendent indeed!

Key Takeaways: Sambar vs Rasam

1. Sambar and rasam are iconic South Indian dishes: They offer distinct flavours and cultural significance.

2. Lentils and spices are key ingredients: Both dishes are based on lentils and a variety of spices.

3. Regional variations exist: Sambar and Rasam have different interpretations across South Indian states.

4. Sambar is a hearty stew: It is thicker, richer, and often includes vegetables.

5. Rasam is a tangy soup: It is lighter, more refreshing, and often has a tomato or tamarind base.

6. Both offer health benefits: Sambar and rasam provide essential nutrients, aid digestion, boost immunity and can be enjoyed as part of a balanced meal.

7. The choice between sambar and rasam often comes down to personal preference. Some people prefer the rich and hearty flavours of sambar, while others enjoy the tangy and refreshing taste of rasam. Additionally, regional variations in both dishes can influence your preference.

I would wish you to explore both sambar and rasam to discover your favourite. Whether you’re a seasoned South Indian cuisine enthusiast or new to the region’s flavours, these dishes offer a unique and satisfying culinary experience.

Onam - POOKKALAM

 Pookkalam ( Floral Rangoli ) is one of the most prominent aspects of the Onam festival. It’s the creation of intricate and colorful designs, Malayalees decorate at the entrances of their homes with beautiful patterns made from various types of flowers. Each day of the festival, the size and complexity of the Pookkalam increase, reaching its pinnacle on the tenth and final day ending with Onam. 

Pookkalams showcase rich social and cultural heritage and hold significant symbolism, in addition to their captivating beauty. Its design conveys the DNA it shares with other floral designs found in other parts of India like rangoli carpets, showcasing its rich historical heritage. Furthermore, Pookalams are followed by the cleaning of homes, they bring together multiple people, and are also symbolic of being one with nature – therefore, it is heavily associated with the prosperity, sanctity, and harmony of families and the community as a whole. 

The tradition of laying the Onam Pookalam (floral carpet) begins, marked by Atham Nakshatram in the month of Chingam on the Malayalam calendar. ( Chingam 21, this year 1200 on the Malayalam calendar), and culminates on the 10th day of Tiruvonam. This year Onam is celebrated between the 6^th  to 15^th of September 2024.

 Day 1: Kashumala**

 The first day’s floral design marked by Atham Nakshatra is inspired by the Kashumala necklace, a cherished piece of jewelry symbolizing grace and heritage passed down through generations. 

Kashumala is believed to represent Goddess Lakshmi, the goddess of wealth, prosperity, and good fortune. "Kashu" refers to the gold coins used to craft the necklace.

 

Day 2: Mani Mala**

On the second day of Onam, marked by Chithra Nakshatra the Pookkalam (floral carpet) is offered in reverence to Lord Ganesha on the auspicious occasion of Ganesh Chaturthi. 

The featured jewelry is the Mani Mala, a simple yet elegant necklace made of gold ball-shaped beads. Traditionally worn by women in Kerala, this timeless piece adds grace to everyday attire, symbolizing beauty in simplicity. In  Pookkalam, the Mani Mala is displayed as the crown of Lord Ganapathy.

 

Day 3 : Pathakkam / Addil*

The third day of Onam festivities falls on Chothi Nakshatram and  Pookkalam is themed on another traditional necklace called Pathakkam or Addil.

Addil is a traditional necklace women wear in Kerala, especially during important cultural and religious occasions.

 The Addil typically consists of a central pendant known as the "Pathakkam", which is often large and intricately designed, surrounded by a chain of smaller gold or gem-encrusted elements.

Day 4 : Thalikkoottam 

Vishakham Nakshatram falls on Day 4 of the Onam festivities.  Pookkalam (floral carpet) is laid with local flowers that are traditionally plucked from the wild during the Onam season. The flowers used today are Chembarathi (hibiscus), thechi (Ixora), chembakam (frangipani), and manja arali (yellow bell flower).  To suit this local practice, a very traditional ornament called Thalikoottam is presented.. Thali means the Mangalsutra pendant and Koottam means grouping. Thalikoottam thus means a necklace formed by a group of Thalis strung together to form an exquisite piece of jewelry.  The Thalikoottam is displayed in an Uruli (traditional brass round bowl).

 Day 5: Jhimikki*

Anizham Nakshatram marks the fifth day of Onam celebrations.

 Pookkalam is themed around *Jhimikki* (also known as *Jhumka* in Hindi), a beloved piece of traditional jewelry. Fun fact: the *Jhimikki* gained widespread fame through the popular song "Ente Ammede Jhimikki Kammal" (My Mother’s Jhimikki Earring)! 😄

A *Jhimikki* is a traditional Indian earring, often large, ornate, and dangling. These earrings are typically worn by Malayali women as part of traditional South Indian attire. They come in various designs and are commonly crafted from gold, silver, or other metals, often embellished with gemstones or pearls.

Day 6: Nagapadam*

Triketta Nakshatram marks the sixth day of the grand Onam celebration. As the festival draws closer to its culmination, Kerala is filled with a palpable sense of joy and jubilation.

 *Pookkalam* (floral carpet) features the iconic *Nagapadam* necklace, a traditional piece of jewelry often paired with the classic off-white and gold *Mundu Veshti*( Traditional Kerala Dress ).. This lovely combination takes center stage in the floral design symbolizing the deep-rooted traditions of Kerala.

The *Nagapadam* derives its name from the serpent’s hood (*naga*), with the centerpiece shaped like a cobra’s hood, representing protection and power. Adorned with green gemstones, this exquisite necklace is typically worn during special occasions, signifying auspiciousness and prosperity.

Day 7: Palakka*

Moolam Nakshatram marks the seventh day of the 10-day Onam festival, a day rich in tradition and devotion.

 Showcased here is the Palakka necklace, famously worn by Baby Krishna, or Unnikannan, the revered deity of Guruvayur.

According to folklore, the origins of Palakka jewelry trace back to the Dwapara Yuga, when Lord Krishna walked the earth. The design is believed to be inspired by the Pala tree (Milkwood Pine), with the necklace’s signature leaf-shaped motifs resembling the tree’s leaves.

The highlight is the Vyaali Palakka, where the mythical Vyaali—an emblem of power and protection—takes center stage. This fierce, lion-like figure is intricately carved and embossed into the heart of the Palakka design, making it both a symbol of beauty and strength.

 Day 8: Mullamottu*

The eighth day of Onam, marked by the Pooradam Nakshatram, is when King Mahabali is traditionally invited to visit the homes of his people.

For this day’s Pookkalam (floral carpet), the theme is inspired by the Mullamottu Mala (which means "Jasmine Buds Garland"). The jasmine buds, represented by white flowers, symbolize purity and simplicity and are central to today's floral design.

A "Mullamottu Necklace" refers to a jewelry design inspired by the arrangement of jasmine buds in a garland-like fashion. Known for its intricate craftsmanship, this design mirrors the delicate and graceful appearance of jasmine flowers, offering a blend of elegance and natural beauty.

 Day 9: Navaratna Mothiram (Ring)*

Uthradam is the ninth day of the 10-day Onam festival known as the Onam Eve. It is a day of preparation for the grand Onam festival, for the last day.

Today's Pookkalam is inspired by the Navaratna Mothiram, believed to bring four-fold blessings: Dharma, Artha, Kama, and Moksha. According to Vedic astrology, women wear the ring on their left hand, and men on their right.

The Navaratna Mothiram features nine gems, each representing a celestial body in Vedic astrology, and is said to bring good fortune and balance planetary energies.

Onam 2024 – Day 10 – Thiruvonam is the last day of the 10-day Onam festival which culminates on Thiruvonam Nakshatram on the Malayalam calendar.  A few traditional pieces like Poothali, Ilakkathali, Puliyamothiram, and Kazhuthila are missed here. On Thiruvonam a traditional Pookkalam with the Thrikkakkara Appan deity in the centre. Thrikkakara Appan is the presiding deity at the famous Thrikkakara temple in Ernakulam, which is closely associated with Onam. It is believed that Vamana had sent Mahabali to this place where the holy feet (Trikkaal) of  Maha Vishnu were touched – and thus this spot.

ONAM is a festival of joy and happiness. May your home remain filled with prosperity and happiness

 throughout the year. HAPPY ONAM TO ALL MY READERS!

COURTESY: KNSS, Bangalore, for the input and pictures 

Staying true to the Path

Staying True to the Path: A Spiritual Journey

A young man on a righteous mission recently sought clarification from his Guru.

Question: We were a group of young people involved in a spiritual mission. Some of them have left us for some reason. Not only have they left, but they are also working against us.

What should we do? To do nothing in return?

Answer: Suppose it is raining in the morning when you need to go home in an emergency. You take an umbrella and continue your journey, right? That's all you need to think. No goal comes easily. If we accept this, it means we are lost or our goal is not true.

Therefore, when going on important missions, we should focus on something other than who is with us but focus on being true to ourselves rather than straying from our goal. Always look within and be convinced that you are on the right path with God.

Q: Swamiji, those who left were so necessary. But the problem is, how can you work against them?

A: No one is separated from anyone. It is only that all are established in Him. Even if a horse has run a long distance to take us to our destination, if we have to cross a river on the way, it cannot run through water. It doesn't matter if it's misquoted or misrepresented. If we force ourselves to enter the water, it will happen to us. Is it okay to ask how can you behave like this after being with me for so long? It doesn't even understand your language. Gratefully leaving it to graze on the river bank, the traveler finds a boat or swims across to the other side.

The registration fee for tug of war is the same as for the conflict in our minds. If there is a conflict, we have paid the fee for the tug-of-war competition. If you pull the rope, you will win, expending all your energy, leaving no spare time to walk towards the goal. So let go of enmity.

God is the source of goodness for everyone. If someone claims to have separated from you, it's best to let go and move forward. Just like a tug-of-war rope, if no one is on the other side pulling, there's no reason to continue holding on. Each person can live their life independently and in their own way.

Q: Swamiji suggests that we should proceed while thinking of Bhagavan.

A: Once they realize that we are correct, won't they come with us? Our way is the right way. Whoever reaches the goal is right. It is to be measured in the final reckoning. Leave it be. That measurer is above us. Let him do it. Right and wrong are relative. Only truth is eternal. Don't let go of the truth. It doesn't matter who comes along. It can only be said that those who are supposed to come will succeed.

Q: Swamiji, our goal is to bring the maximum number of people to Bhagavan.

 A: That's great. But first, let's seek blessings. Then, follow His command and act. That's the best way to achieve the goal.

🙏🌹🙏

Source: Unknown 

Lord Ganesha and his lessor known sister

 "OM GANAPATHAYE NAMAH "

Lord Ganesha's influence goes beyond temples and rituals, reaching into the daily lives of his followers. His images are frequently seen in homes, workplaces, and even vehicles, constantly reminding him of his divine guidance and protection.

People often begin their activities by invoking Ganesha’s blessings, seeking his assistance in overcoming obstacles, and ensuring success in their endeavors. From simple tasks to significant milestones, Ganesha is believed to grant his devotees the strength and wisdom necessary to navigate life’s challenges.

Ganesha is widely revered as the remover of obstacles. His elephant head represents wisdom, intelligence, and foresight, while his human body signifies strength and adaptability. Devotees believe that by seeking Ganesha’s blessings and guidance, they can overcome physical and spiritual challenges in their lives.

Most of us are familiar with Ganesha's familial relationships, including his parents, Lord Shiva, and Goddess Parvati, and his brother Lord Kartikeya.

But did you know Lord Ganesha also had a sister who is less known but is equally significant?

In Hindu mythology, amidst a plethora of gods and goddesses, there are often overlooked tales and stories that exist in the shadows of more prominent deities. One such tale is that of Ashokasundari, the sister of Lord Ganesha—a mysterious and enchanting story deeply embedded in the mythological tapestry.

The story of Ashokasundari begins with her illustrious parentage. She is considered to be the daughter of Lord Shiva and Goddess Parvati, two of the most revered deities in Hinduism. Born in the celestial abode of Kailash Parvat, her existence is shrouded in mystique.

Goddess Parvati, known for her grace and beauty, often found herself longing for companionship during Lord Shiva’s prolonged absences. Shiva, the ascetic deity who frequently left Kailash Parvat to engage in battles against demons and meditate in seclusion, was not always by her side. In her solitude, Parvati yearned for a companion who would fill the void in her heart.

During a moment of solitude, Parvati and Shiva found a wish-fulfilling tree called the Kalpavriksha. This extraordinary tree was believed to have the power to grant any wish, and it captivated the divine couple. Filled with longing, Parvati made a heartfelt wish to the Kalpavriksha, asking for a daughter who would bring joy and companionship into her life. In response to Parvati’s earnest plea, the divine tree granted her wish. Thus, Ashokasundari came into existence, a manifestation of the divine union of Lord Shiva and Goddess Parvati.

The name "Ashokasundari" holds great significance, as is often the case with names in Hindu mythology. "Ashoka" translates to "without sorrow," and it was given to her because she embodied joy and happiness, erasing the sorrow that had once plagued Parvati's heart. "Sundari" means beautiful, reflecting the extraordinary beauty that graced the divine girl. Curiously, despite her divine lineage and the significance of her birth, Ashokasundari remains a relatively mysterious figure in Hindu mythology. The scriptures offer scant information about her, leaving her story veiled in obscurity.

However, she is mentioned in the Padma Purana, one of the ancient texts that narrate her tale.

Ashokasundari's role is mentioned in a few events, one of them being the tragic incident involving Lord Ganesha's beheading. Ashokasundari witnessed the frightening event when Lord Shiva beheaded Ganesha. Frightened by her father's actions, she sought refuge behind a sack of salt, trembling with fear. As the divine drama unfolded, and Lord Ganesha’s head was severed, Goddess Parvati was consumed by anger and grief. In her rage, she not only demanded the restoration of her son’s life but also cursed Ashokasundari. The curse cast upon her was unique and unusual—she was to become a part of the salt itself.

The association of Ashokasundari with salt carries great symbolic significance in Indian culture. In Indian cuisine, salt is considered an essential ingredient as it enhances the flavors of every dish. Without salt, food is often perceived as tasteless and incomplete.

Once Lord Ganesha’s head was miraculously restored by Lord Shiva and the family’s anguish was assuaged, they lovingly restored life to their daughter. Ashokasundari returned to her divine form, her beauty and grace unscathed, and she was once again a source of boundless joy and happiness.

In a world where the stories of gods and goddesses abound, Ashokasundari stands as a reminder that every character, no matter how briefly mentioned, has a role to play in the grand tapestry of mythology. Her story, though shrouded in mystery, is a testament to the enduring power of joy, companionship, and the love that binds a divine family together.

Ashoksundari, the forgotten daughter of Lord Shiva, may not occupy the central stage in Hindu mythology, but her story is a testament to the diversity and richness of the ancient Indian religious tradition.

**

Ganesh Chaturthi is celebrated on 7th Sept 2024.

ULLOZHUKKU ( INFLOW )

 

 Kuttanadu, in Kerala, is a small village surrounded by picturesque backwaters that often feature on lists of “India’s most beautiful spots”. The story is of the two natives, Leelamma and Anju who live here. The less said of the living, the better. They are stranded on their island home in the backwaters with flood waters rising, and the country boat is their only link to the outside world. 

Anju and her mother-in-law Leelamma are in a life not of their choosing. One has come to terms with it, tempered by the struggles of family life, and even yearns to protect that way of living, while the other still has some spirit left to fight her way out of it.

While Leelamma reminisces about her joyful early years with her family, Anju is still adjusting to her new home in the backwaters of Kuttanad and coping with her husband, Thomas Kutty's illness. Her only solace is when she can leave the house to meet Rajeev, her fiancé. However, she becomes extremely distressed when she discovers that she is pregnant with her lover's child. To make matters worse, her husband's illness worsens, and he passes away.

As the two women struggle with their turmoil - one having lost her son and the other carrying a baby that isn’t her husband’s - they are pushed into a situation where they are almost fighting for their survival. As a result, they start turning on each other.

Anju discovered that Leelamma had not been honest about Thomaskutty's illness when the marriage proposal was made. She felt like a victim of her mother-in-law's selfishness. Anju also realized that her parents had wanted to marry her off against her wishes to put an end to her relationship with Rajeev once and for all.

Leelamma, grieving the loss of her stillborn baby, sees the child as the only ray of light in her life. She is determined to bequeath her house and properties to Anju and to any future children Anju may have.

But one doesn't need to be taught to see things from Anju's point of view by making the other person look bad. Sometimes, there's no need for justification for why people behaved the way they did. She finally tells Leelamma that the child in her womb is not her son's! They were just two women driven by love. Will the two women learn to look beyond betrayal and accept that true love is about forgiveness?

Leelama and her daughter-in-law Anju have lived for too long on a foundation of lies. The man who connects them both lies in a mortuary, and they must wait for the floodwaters to subside to bury him. As the wait continues, the intricate web of lies around them is exposed, unraveling the essence of human emotions and relationships. 

Relative right and wrong hold no significance in the ebb and flow of human emotions and thoughts. The trajectory of the human mind's ebb and flow is so unpredictable, regardless of its outward calm.

Meanwhile, Rajeev, who is well aware of Anju's situation, reveals his true nature. It seems that greed has taken precedence over his love for her. He encourages her to expedite the property transaction so that they can settle outside the control of their respective families.

It can be said that Anju's emotions are more complex than Leelamma's. They do not follow a linear path and tend to build up like steam in a pressure cooker.

Once the body of her son was prepared for the final journey, Leelamma only had to offer frankincense at her son's gravesite. Drained of energy after years of weeping, she had become speechless.

Anju struggles to face the future following her mother-in-law, either out of love for Leelamma or a sense of defiance in light of the betrayal of her fiancee.

Yes, you are right. The story mentioned above has been adapted into a captivating film titled "Ullozhukku," which was recently screened in theaters.

Urvashi, as Leelamma, and Parvathy Thiruvothu, as Anju, deliver outstanding performances that are the backbone of the film. "Ullozhukku" is a slow-building drama that offers a character study of Leelamma and Anju. It provides different perspectives and leaves questions of right and wrong open for the audience to explore.

Notably, the film explores the emotional dimensions of its characters and delves deeply into their socio-religious backgrounds and the unique geography of their land.

Movie: Ullozhokku

Directed by: Christo Tomy

Starring: Urvashi (Leelamma), Parvathy Thiruvothu, (Anju ) Prashant Murali (Thomas Kutty), Arjun Radhakrishnan Rajeev), Alencier Lopez (Father of Anju)  and Jaya Kurup (Sister of Leelamma)

Shyam's music, and particularly Shehnad Jalal's camerawork, take it up a notch.

NB: In 2024, Smt. Urvashi won the Kerala State Film Award for Best Actress, for the portrayal of Leelamma in"Ullozhukku:

-

 

 The Power of Honesty.

When we embrace honesty in life, a climate of trust develops, leading to healthy attitudes and relationships. Honesty provides an environment for courageous living, free from the time and energy resistance caused by doubts and fears about others.

 "No amount of money can be used to maintain a good name. No matter how well we do, the reward may not come quickly, but if we act with honesty, if we do good in society, we will live on even after we die."

Can honesty be rewarded in the current world situation? Imagine going shopping with a shopkeeper who is always rude to you. You bought some items worth Rs. 70 from there. Then you give him Rs. 100. In return, he gives you Rs. 40 instead of Rs. 30. You didn't notice that at the time. After walking a few steps, you realize that you have received an extra 10 rupees. Now you have two choices - keep the 10 rupees and decide to spend it on yourself, in which case you will feel guilty, or realize that he gave you Rs. 10 by mistake. You decide to go back and give him his money back. This time, things are different. You give the rude shopkeeper his money back, knowing that he will be happy to see you not just once, but all the time. After this, every time you go to his shop, he will greet you with a beautiful smile. This will give you some inner satisfaction. It may be small, but you are happy.

Honesty and wisdom are equally important in life. Being honest does not mean being easily influenced or manipulated. When combined with wisdom, honesty will be beneficial in the long run. Honesty means having a clear and pure heart, filled with love.

Once, in Europe, there was a story of a father and his daughter Sara. As the father lay waiting for death, Sara expressed her disappointment. She told her father, "Daddy, it's unfortunate that you will leave this world without having saved any money. We even live in a rented apartment. You didn't plan for our future at all. Other fathers, whom you call corrupt, manage to save something for their children. But you, Daddy? It's hard for me to look up to you." After saying this, her father passed away, leaving them forever.

Three years later, Sarah went for a job interview at a multinational company. All the key people in the company were present, but the committee chairman interviewed her first.

"Which Smith are you..?"

Sarah replied, "I'm Sarah Smith. My dad is the late Tom Smith.

"Oh my god, are you Tom Smith's daughter?.

Then, he turned to the other members who were with him and said, "Tom Smith is the one who signed my membership form at the Institute of Administrators, and I am here because of his recommendation. He didn't know me, he had never met me, but he did everything for me for free. That's it. He was a good man." After saying this, he said to Sarayotai, "I have no more questions to ask you. Consider yourself hired."Come tomorrow, and I'll wait for you to start the job." He had selected Sarah Smith as the company's corporate affairs manager. In addition to allowances and other expenses, the company provided her with a monthly salary of $75,000, a lovely bungalow to live in, two cars, and a driver to drive them.

After two years in her role, the managing director of the company traveled to the United States to announce her resignation, citing a need for a person with high integrity. The company's consultant recommended Sarah Smith for the managing director position.

Then she had to attend an interview as the company's managing director. The first question they asked her was.

"What is the secret of her success?"

She tearfully replied, "My father made this oatmeal for me. Only after his passing did I realize he was financially poor but rich in discipline and honesty."

In the interview, they asked her again, "It's been years since your daddy died. Why are you still crying like a little child?"

She said, "I hurt my dear father before he passed away. I hope he can forgive me despite the things I said."

Bhishma’s Five Golden Arrows :- The Story of Loyalty and Honor:

 

Numerous stories in the Mahabharata often go unnoticed, but they could have had a significant impact if they hadn't occurred. One such story is about the Five Golden Arrows, powerful enough to kill the five Pandavas and instantly end the war.

"The divine arrows were created from the life force of Bhishma."

Bhishma, the mighty and greatest warrior, was the Kourava Army's supreme commander.  After a few days of the war, Duryodhana was upset with Bhishma. He thought that Bhishma was not giving his heart and soul to the war and siding with Pandavas but fighting with Kauravas just for his promise to protect Hastinapur. Duryodhana went ahead and confronted Bhishma. An upset Bhishma, greatly enraged, immediately picked up five golden arrows and chanted the mantras declaring “Tomorrow I will kill the Pandavas with these golden arrows”.

Duryodana, not believing Bhishma's words, asked Bhishma to give him supervision of the Five Golden Arrows, saying that he would keep them with him and return them the next morning. Bhishma then gave them to Duryodhana, stating that these arrows were powerful enough to kill all the Pandavas and would never fail because he had put his years of penance and life force into those five arrows. Duryodhana gladly accepted the arrows, convinced that they would assure his victory in the war. He was eager to test them the next day. However, he suspected that Bhishma might betray him and was reluctant to hand over the arrows to him. Duryodhana was determined not to let the arrows fall into Bhishma's hands.

The legend goes that Duryodana once came to the forest to display his wealth and power in contrast to the Pandavas, who were living in exile near Dwitavana Lake because he had taken over their kingdom. He set up his camp on the opposite side of a pond where the Pandavas used to stay.

Before Duryodhana arrived with his wife, friends, and army, the Gandharva king Chitrasena had taken over the lake with their accomplices.

When Duryodhana's soldiers requested the Gandharva group to vacate the lake for their king, Chitrasena, the leader of the group by the lake, laughed at them and stated that they only recognized Indra as their king. This led to a conflict between the two sides, resulting in a fierce battle. Ultimately, Duryodhana was defeated by Chitrasena and taken captive.

Upon hearing the news, Yudhishtira ordered both Bhima and Arjuna to go and rescue them, as the enmity was between the two families. Chitrasena did not want to fight with the Pandavas, especially with Arjuna, and upon their request, he released Duryodhana and all his forces.

Duryodhana, feeling ashamed as a Kshatriya, asked Arjuna what boon he would like. Arjuna replied that he would ask for the favor later when he needed it.

Meanwhile, Lord Krishna received the news of these five arrows from his spies. He quickly made a plan and called Arjuna and reminded him of the boon Duryodana had promised. Lord Krishna requested him to meet Duryodana and ask for the Five Golden Arrows, as the war with  Bhishma was at a very critical stage.

When Arjuna met Duryodana and asked for the five golden-imbued arrows, Duryodana was shocked. However, knowing his honor and duty as a Kshatriya, he declared, "I will give you the five golden arrows. But can you please tell me who told you about their existence?" Arjuna replied with a smile, "Who else other than Shri Krishna could have advised me?" Afterward, Duryodhana honorably kept his word and gave the five golden arrows, imbued with a lifetime of austerity and power by Bhishma.

Later, Duryodhana broke his customary manner and privately conceded, "All the Rishis say Krishna is the Supreme God. Maybe they are right." Shocked and convinced by Arjuna’s knowledge of the five golden arrows, Duryodhana secretly got on his knees and said a quick prayer to Lord Krishna.

The next morning, Duryodhana went to Bhishma again, informing him of all that had happened and requesting another five golden-imbued arrows. To this, Bhishma laughed and replied, “That is not possible, child. The will of the Lord is supreme and undeniable."I have already expended the power of my lifelong practice of celibacy and self-discipline in those five arrows – a strength potent enough to end all five Pandavas. However, Krishna, as the Supreme Lord who can foresee past, present, and future, has arranged for you to willingly relinquish the five golden arrows. However, tomorrow I shall fight like a lion, and this time, either I will kill Arjuna or I will make Lord Krishna break His promise of not picking up any weapons during the war.” 

The exchange of favors between Arjuna and Duryodhana demonstrated the warrior code of honor, which highly valued loyalty, respect, and gratitude. Arjuna's request for the arrows was not driven by malice, but rather a strategic move to prevent the Kauravas from gaining an unfair advantage in the war. In return, Duryodhana honored his debt to Arjuna by giving him what he had requested, even though it meant giving up a weapon that could potentially have won the war for him.

 

 

The message of Janmashtami.

The beauty of our ancient stories is that they are never set in a particular place or at a particular time. Ramayana or Mahabharata are not just events that happened in ancient times. They happen in our lives every day. The essence of these stories is eternal.

Similarly, the story of Shri Krishna's birth also has a deep meaning. In this story, Devaki symbolizes the body and Vasudeva symbolizes the life force i.e. Prana. When the body takes on Prana, Anand i.e. Shri Krishna is born. But the ego (Kans) tries to destroy the Anand. Here Kans, the brother of Devaki, shows that along with the body, the ego also exists. A happy and joyful person never creates problems for anyone, but emotionally sad people often make others unhappy or create obstacles in their path. A person who feels that he has been wronged also treats others unjustly due to his ego.

The biggest enemy of the ego is  Joy (Anand). Where there is joy and love, the ego cannot survive, it has to bow down. Even a person occupying a very high position in society has to bow down in front of his small child. When a child is ill, no matter how strong a person is, he starts feeling a little helpless. When faced with love, simplicity, and joy, the ego automatically starts disappearing easily. Shri Krishna is the symbol of joy, the essence of simplicity, and the source of love.

Kamsa's imprisonment of Devaki and Vasudev indicates that when the ego increases, the body becomes like a prison. When Shri Krishna was born, the prison guards fell asleep. Here the guards are the senses that protect the ego because when it wakes up it becomes an extrovert. When these senses are introverted, then inner joy arises within us.

Shri Krishna is also known as Butter thief ( Makhanchor ). Milk is the essence of nutrition and curd is a refined form of milk. When the curd is churned, butter is formed and floats to the top. It is not heavy but light and nutritious too. When our intellect is churned, it becomes like butter. Then knowledge arises in the mind, and the person becomes established in his self. Even while living in the world, he remains detached, his mind is not disappointed by worldly things/behavior.  Stealing butter (Makhan Chori) is a symbol of the depiction of the glory of Shri Krishna's love. Shri Krishna's charm and skill are such that he steals the heart of even the most restrained person.

The peacock feather on Lord Krishna's head is a symbol of responsibilities

A king is responsible for his entire subjects. He wears the burden of these responsibilities on his head in the form of a crown. But Shri Krishna fulfills all his responsibilities very easily - like a game. Just as a mother never feels the care of her children as a burden. Shri Krishna also does not find his responsibilities a burden and he wears these responsibilities of various colors very easily in the form of a peacock feather (which is also very light) on his crown.

Shri Krishna is an attractive and joyful stream within all of us. Only when there is no restlessness, worry, or desire in the mind, we can find deep relaxation, and in deep relaxation, Shri Krishna is born. This is the time to bring a wave of happiness in society - this is the message of Janmashtami.

HAPPY JANMASHTAMI !!

( Translation of Bhagavad Gita Group presentation in Hindi)